Le corps de l'artiste

This definitive work charts the evolution of an influential movement that continues to provoke controversy today. Over 250 images of performance, painting, photography, sculpture and installation bring together the largely untold story of these influential works with clear, insightful, explanatory texts. A survey by Amelia Jones, a leading authority on body and performance art, illustrates the genre?s inimitable insight into the social and culture upheavals of the last sixty years. Includes work from Carolee Schneemann, Yoko Ono, Chris Burden, Ana Mendieta, Vito Acconci, Marina Abramovi?, Matthew Barney, Marc Quinn, Tracey Emin, Mona Hatoum and many more.

Body art, performance, "Aktionism', Happenings: these are all names for the many late 20th century art forms that have used the artist's own body as the subject and object of the artwork itself. Whether acting out the gestures of painting (Jackson Pollock, Yves Klein, the Gutai group); voguing for the camera (Hannah Wilke, Mariko Mori); subjecting oneself to acts of violence (Chris Burden, Gunter Brus, Gina Pane); displaying acts of athletic prowess and courage (Matthew Barney, Marina Abramovic); or even masturbating under the gallery floor (Vito Acconci), artists since the late 1950s have increasingly used their bodies to subvert, shock and politicise contemporary art. Images of these often extreme, highly unconventional artwork with commentary are accompanied by documents which chart the ideas, their critical reception and the broader philosophical and cultural context which framed them. The introductory survey, by noted expert Amelia Jones, examines chronologically the key artists and works within the social history of their times. "

Cet ouvrage étudie l'utilisation faite par les artistes de leur corps à la fois comme sujet et objet de leur oeuvre ainsi que les nouvelles formes d'expression comme le body art, le happening et la performance. Plus de 250 illustrations retracent pour lapremière fois l'histoire méconnue d'oeuvres souvent controversées. Fruit des recherches et d'une sélection effectuées par Tracey Warr, commissaire d'exposition indépendante et chercheuse en art et sociologie à Brookes University,à Oxford, complétées par un essai d'Amelia Jones, spécialiste du body art et de la performance.