Les 5 tibétains. Secrets de jeunesse et de vitalité

Des générations de moines tibétains ont perpétué secrètement une série d'exercices aux propriétés miraculeuses. Ces exercices connus sous le nom des " Cinq Tibétains " ont été révélés aux Occidentaux grâce au colonel Bradford, un officier de l'armée britannique qui, voyageant sur les hauts plateaux de l'Himalaya, a reçu cette initiation.Les Cinq Tibétains nous propose des instructions précises pour chacune de ces postures, qui peuvent s'apparenter à du yoga.Prendre quelques minutes chaque jour peut vous permettre d'obtenir une énergie accrue, une perte de poids, une meilleure mémoire, de soulager des douleurs profondes, d'avoir une meilleure digestion et, finalement, de vous sentir plus jeune.Notes Biographiques : Peter Kelder grandit dans le Middle West des États-Unis et s'embarqua dès l'adolescence pour un tour du monde vers des pays exotiques et lointains. Il devint un homme instruit, amoureux des livres et de la poésie, parlant couramment de nombreuses langues.

For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across Europe: from their native Italy to cites as far afi eld as Vienna, Prague, Stockholm, St. Petersburg, and Lisbon. Beyond these performances, the distinctive Bibiena style survives through their remarkable drawings. Architecture, Theater, and Fantasy marks the promised gift to the Morgan Library & Museum of a group of Bibiena drawings from the collection of Jules Fisher, the Tony Award-winning lighting designer, and commemorates an exhibition of these works, the fi rst in the United States in over thirty years to celebrate these talented draftsmen. These drawings demonstrate the range of the Bibienas? output, from energetic sketches to highly fi nished watercolors. With representations of imagined palace interiors and lavish illusionistic architecture, this group of drawings highlights the visual splendor of the Baroque stage. The catalogue opens with Diane Kelder?s introductory essay about the Bibiena family. Laurel Peterson then discusses the Bibienas as draftsmen, underscoring the drawings from the Fisher collection. Arnold Aronson, in turn, explores the family?s contribution to the theater, setting them within a history of European stage design and explaining the signifi cance of the dynamic angled perspective of their scena per angolo sets. John Marciari?s essay considers the Fisher gift among the many Bibiena drawings already at the Morgan, mainly from the Oenslager collection, and looks at the collecting of Bibiena drawings more generally. Finally, Diane Kelder?s checklist off ers information regarding the attribution and provenance of the works in the exhibition.