Les cinq Tibétains. Le secret de la jeunesse et de la vitalité

L'Occident découvre aujourd'hui des secrets de jeunesse et de vitalité cachés depuis des siècles dans les monastères tibétains. De grands maîtres ont consacré toute leur existence à la quête des principes supérieurs qui régissent la vie. Ce livre vous révèle l'essentiel de leurs découvertes. Avec ces méthodes extraordinaires, les résultats sont immédiats! Vous éprouvez une sensation de bien-être instantanée et votre vitalité ne cesse de croître au fil des jours. Au plus profond de votre corps physique et de son système énergétique invisible, ces pratiques inversent le processus de dégénérescence qui conduit à la maladie et à la vieillesse. Toutes vos cellules reçoivent le message de victoire sur l'inertie de la matière. II est possible de rester jeune, quel que soit votre âge, faisant l'expérience des fantastiques pouvoirs de régénération qui sont en vous!

For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across Europe : from their native Italy to cites as far afi eld as Vienna, Prague, Stockholm, St. Petersburg, and Lisbon. Beyond these performances, the distinctive Bibiena style survives through their remarkable drawings. Architecture, Theater, and Fantasy marks the promised gift to the Morgan Library & Museum of a group of Bibiena drawings from the collection of Jules Fisher, the Tony Award-winning lighting designer, and commemorates an exhibition of these works, the fi rst in the United States in over thirty years to celebrate these talented draftsmen. These drawings demonstrate the range of the Bibienas' output, from energetic sketches to highly fi nished watercolors. With representations of imagined palace interiors and lavish illusionistic architecture, this group of drawings highlights the visual splendor of the Baroque stage. The catalogue opens with Diane Kelder's introductory essay about the Bibiena family. Laurel Peterson then discusses the Bibienas as draftsmen, underscoring the drawings from the Fisher collection. Arnold Aronson, in turn, explores the family's contribution to the theater, setting them within a history of European stage design and explaining the signifi cance of the dynamic angled perspective of their scena per angolo sets. John Marciari's essay considers the Fisher gift among the many Bibiena drawings already at the Morgan, mainly from the Oenslager collection, and looks at the collecting of Bibiena drawings more generally. Finally, Diane Kelder's checklist off ers information regarding the attribution and provenance of the works in the exhibition.