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Très recherchée, cette bible de l'esthétique minimaliste est un extraordinaire essai visuel qui explore la notion de minimum, appliquée à l'architecture, à l'art et au design. John Pawson, architecte et designer, auteur de Minimum a su capturer la quintessence des bâtiments et des objets qui ont été réduits à l'essentiel. Les images ici réunies sont aussi diverses dans leur lieu d'origine que dans leur date de création : la préhistoire mexicaine côtoie l'époque de Le Corbusier et de Mies van der Rohe, jusqu'à Donald Judd en passant par la photographie, la poterie, le mobilier et l'architecture.

From its translucent dust jacket and warm gray ink to its embossed linen cover and 145 superbly printed photographs, this elegantly designed and handsomely produced volume is presented as the bibliographic embodiment of the author's architectural philosophy. Pawson uses a photographic essay to develop a comprehensive definition of the minimalist sensibility. For the examples, he draws not only from the history of art, architecture, and design but also from the natural landscape. Each of the 11 chapters explores an aspect of design, such as mass, light, or structure. While the introductory essay serves as an argument for Pawson's own work, the captions provide thoughtful and insightful interpretations of the objects and images reproduced. His analysis of Mies van der Rohe's Farnsworth House, illustrated with a three-leaf gatefold, for example, provides a concise but substantive perspective on the relation of this modern monument to its site. Aspects of Minimal Architecture (Academy Editions, 1994) has a similar purpose and even includes one of Pawson's designs but does not equal this volume in breadth, graphic quality, or singularity of vision. Highly recommended for all architecture and design libraries.Paul Glassman, Pratt Inst. Lib., New YorkCopyright 1996 Reed Business Information, Inc.

Globally acclaimed architectural designer John Pawson, whose work includes the new Design Museum in London, is always taking photographs. He is constantly looking for patterns, details, and textures that can inform his work. His architecture might be known for its limited colour palette - primarily white - but his photographs tell another story, one of endless colour. Spectrum takes you on a multi-coloured journey across the world through a carefully curated sequence of 320 images. Whites lead into yellows, oranges, reds, purples, blues, greens, browns, greys, black... It's a celebration of colour from one of the most unexpected sources. Spectrum will amaze those who think they know John Pawson.