ARCHITECTURE AND ANARCHISM - BUILDING WITHOUT AUTHORITY - ILLUSTRATIONS, COULEUR
DOBRASZCZYK PAUL
HOLBERTON
30,00 €
Sur commande en 4-6 jours
EAN :9781913645175
This groundbreaking new book presents 60 projects ? past and present, real and imagined ? of ?anarchist? architecture. From junk playgrounds to Extinction Rebellion in the UK, from Christiania to the Calais Jungle in Europe, and from Dignity Village to Slab City in the USA ? all are motivated by the core values of autonomy, voluntary association, mutual aid and self-organisation. Taken as a whole, they are meant as an inspiration to build less uniformly, more inclusively and more freely. Architecture and Anarchism documents and illustrates 60 projects, past and present, that key into a libertarian ethos and desire for diverse self-organised ways of building. They are what this book calls an ?anarchist? architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of socialist politics in the 19th century. These are autonomy, voluntary association, mutual aid, and self-organisation through direct democracy. As the book shows, there are a vast range of architectural projects that can been seen to reflect some or all of these values, whether they are acknowledged as specifically anarchist or otherwise. Anarchist values are evident in projects that grow out of romantic notions of escape - from isolated cabins to intentional communities. Yet, in contrast, they also manifest in direct action - occupations or protests that produce micro-countercommunities. Artists also produce anarchist architecture - intimations of much freer forms of building cut loose from the demands of moneyed clients; so do architects and planners who want to involve users in a process normally restricted to an elite few. Others also imagine new social realities through speculative proposals. Finally, building without authority is, for some, a necessity ? the thousands of migrants denied their right to become citizens, even as they have to live somewhere; or the unhoused of otherwise affluent cities forced to build improvised homes for themselves. The result is to significantly broaden existing ideas about what might constitute anarchism in architecture and also to argue strongly for its nurturing in the built environment. Understood in this way, anarchism offers a powerful way of reconceptualising architecture as an emancipatory, inclusive, ecological and egalitarian practice.
Nombre de pages
248
Date de parution
05/11/2021
Poids
1 168g
Largeur
229mm
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Plus d'informations
EAN
9781913645175
Titre
ARCHITECTURE AND ANARCHISM - BUILDING WITHOUT AUTHORITY - ILLUSTRATIONS, COULEUR
Auteur
DOBRASZCZYK PAUL
Editeur
HOLBERTON
Largeur
229
Poids
1168
Date de parution
20211105
Nombre de pages
248,00 €
Disponibilité
Sur commande en 4-6 jours
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Forsyth Hazel ; Schroder Timothy ; Thornton Dora ;
This handsomely illustrated book is published to mark the opening of the Goldsmiths' Gallery at the new London Museum in Smithfield. Showcasing the Cheapside Hoard alongside historic treasures from the Goldsmiths' Company's collection, it takes readers on a global journey in the wake of plate, jewels and gemstones - and the people who made, traded and treasured them. Gold and silver are precious - prized as a form of portable capital, essential for the mints and coinage, used to express power and status. Yet great skill was needed in the buying, the fashioning and the selling of either metal. As fashions changed, much early modern plate and jewellery was melted down when sentiment gave way to market value. This makes the survival of the Goldsmiths' Company's holdings exceptional - and the Cheapside Hoard, unearthed by workmen in 1912 after lying undisturbed for nearly 300 years - nothing short of extraordinary. Comprising over 500 pieces - made of emeralds, diamonds and sapphires sourced from across the world, worked into mesmerising brooches, buttons, necklaces and rings - the Cheapside Hoard is the greatest single collection of Elizabethan and Stuart jewellery in the world. The book places the Hoard in its historical and global context, celebrating it alongside highlights from the Goldsmiths' Company's collection. It offers four main chapters on Elizabethan and early Stuart London, the goldsmiths' trade, the Hoard itself, and the city's global networks. Interwoven thematic sections explore craftsmanship, personal stories, trade practices, taste and fashion - bringingtogether jewels and plate to reveal a rich tapestry of skill, style and exchange.