Salgado, an economist by training, documents the unforgettable faces of workers at their jobs around the world. His widely published images of the oil-field firefighters in Kuwait may be the most familiar to U.S. readers. The catalog for a traveling exhibition, this book is divided into six chapters--Agriculture, Food, Mining, Industry, Oil, and Construction--that show the basest realities of work in some of its uncountable forms, from fishing in Spain, to textile factories in Kazakhstan, Eurotunnel construction in France, a slaughterhouse in South Dakota, and gold miners in Brazil. The reader almost never sees a smiling face or evidence of job satisfaction. Instead, this is an iconography of wage-labor toil, alienation, and survival. The location and subject of each related group of images are announced in the table of contents; otherwise, one needs to consult a separate softbound booklet in a pocket in the back, which offers Salgado's facts and statistics about the particular natural resource, geographical area, and type of work pictured. The reproductions here are of superb quality. The winner of numerous international photography awards, Salgado ( An Uncertain Grace, LJ 2/1/91) has renewed the "concerned photographer" genre and produced one of the finest books of this decade. Essential for all art and photography collections.- Kathleen Collins, New York Transit Museum Archives, BrooklynCopyright 1993 Reed Business Information, Inc.
Date de parution
27/07/1999
Poids
2 818g
Largeur
250mm
Plus d'informations
Plus d'informations
EAN
9780714837185
Titre
Workers an archeology of the industrial age
Auteur
Salgado S
Editeur
PHAIDON PRESS
Largeur
250
Poids
2818
Date de parution
19990727
Nombre de pages
0,00 €
Disponibilité
Epuisé
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La Serra Pelada est une mine à ciel ouvert, située dans l'Etat de Para au Brésil, aujourd'hui fermée. Au plus fort de l'activité, 50 000 garimperos remontaient inlassablement des sacs de boue de 50 kg, dans l'hypothétique espoir qu'un de ces sacs renfermerait de l'or. Reporter planétaire du labeur humain, Sebastiào Salgado, brésilien lui-même, fit connaître dans le monde entier la condition effroyable de ces "hommes-termites". Il impose une fois de plus la force du témoignage photographique comme source de transformation du réel.
Explores the power of abandoned architecture, capturing the awe-inspiring drama of lost and forgotten, as well as reimagined and transformed structures across the globe. From Victorian gas holders, railway stations and factories, to World War Il flak towers and bunkers, from Gothic churches, as well as Modernist and Brutalist masterpieces, this book demonstrates that transforming our built heritage has the power to change lives, communities, neighbourhoods and cities the world over.